6:00 pmRegister for the online artist talk here.
Siegel is known for her meticulously constructed works that trace and perform systems of value, examine relationships between objects and spaces, and expose the plasticity of the moving image through sound and performance. Her compelling, multi-layered approach often reveals new meaning in narrativizing systems of power and economic structures as it examines the very aesthetics and mechanisms of image and sound production.
A double-screen video installation composed of two alternating segments —each performed and filmed in churches designed by Sigurd Lewerentz: St. Mark’s in Stockholm and St. Peter’s in Klippan —The Silence considers the relationship between architecture, music, sound and the immaterial. The Silence (2022) is Siegel’s first work made and exhibited in Sweden.
A double-screen video installation composed of two alternating segments —each performed and filmed in churches designed by Sigurd Lewerentz: St. Mark’s in Stockholm and St. Peter’s in Klippan —The Silence considers the relationship between architecture, music, sound and the immaterial. The Silence (2022) is Siegel’s first work made and exhibited in Sweden.
Amie Siegel’s work is featured in international museum collections and has been widely exhibited around the globe. The artist’s recent works include Asterisms (2021), exhibited at the 34th São Paulo Biennial, Brazil and Bloodlines (2022), recently on display at the Scottish National Museum Gallery of Modern Art, Edinburgh and Thomas Dane Gallery, London.
In collaboration with ArkDes.
Portrait of Amie Siegel © Jason Schmidt. Courtesy Thomas Dane Gallery.
