{"id":3235,"date":"2013-08-22T09:52:18","date_gmt":"2013-08-22T09:52:18","guid":{"rendered":"https:\/\/bonnierskonsthall.se\/?page_id=3235"},"modified":"2026-03-01T11:47:35","modified_gmt":"2026-03-01T10:47:35","slug":"tarek-atoui-2","status":"publish","type":"page","link":"https:\/\/bonnierskonsthall.se\/en\/tarek-atoui-2\/","title":{"rendered":"Tarek Atoui"},"content":{"rendered":"\n<div class=\"wp-block-group alignfull migrated has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n\n\n\n<p>Tarek Atoui (b. 1980, Beirut, Lebanon) is one of the world\u2019s most celebrated contemporary sound artists. Performances utilising custom-built electronic instruments and computers, alongside Atoui\u2019s intense physical presence, have become his trademark.\u00a0The performances are for the most part improvised, but are consistently grounded in a search for new sounds and meticulous research into sound archives and collections.<\/p>\n<p>In <i>The Metastable Cut<\/i>, Atoui\u2019s starting point is the Electronic Music Studio (EMS) in Stockholm and the historical role it has played in the world of electronic music and sound art. Atoui cuts some of the most valuable compositions from EMS\u2019s sound archive into thousands of micro samples, which become the sound material for a new version of <i>The Metastable Circuit \u2013 <\/i>the instrument he first created at the dOCUMENTA13 in 2012. This new instrument will generate an autonomous and continuously changing flow of soundscapes, and will allow the artist to explore new methods of collaborative and collective composition along with students from Royal College of Art, Royal Technical University and Royal College of Music.<\/p>\n<p>During <i>Art of Memory<\/i>, Atoui will direct a work process and series of collective performances where a new generation of musicians, composers and performers will revisit EMS\u2019s heritage, improvising and working with his instrument and the new possibilities it offers. The project is a collaboration amongst Electronic Music Studio (EMS), Royal College of Art, Royal Technical University and Royal College of Music. Sebastian Edin is first assistant. With thanks to NKF Malongen Nordic Guest Studio.<\/p>\n<p>With support from The Electronic Music Studio and Institut fran\u00e7ais de Su\u00e8de.<\/p>\n<p><strong>Salon: Tarek Atoui at The Haunted Palace Wednesday, 20 November 6-9 pm.<br \/>\nTICKETS SOLD OUT.<br \/>\n<\/strong><\/p>\n<p>Tarek Atoui together with Jonas Kjellberg, Katt Hernandez, Hampus Nor\u00e9n, Ellen Arkbro, Shida Shahabi, Jonatan Svensson, Oscar Friberg, Jacek Smolocki and Sebastian Edin.<\/p>\n<p>(Schefferska Palatset), Drottninggatan 116, Stockholm.<br \/>\n6 \u2013 9 pm. (Each visit lasts for about 30 minutes)<br \/>\n80 kr (Free entrance for members)<\/p>\n<p>Tickets: 80 kr (Regular entrance fee, free for Bonniers Konsthall members)<br \/>\nLimited amounts of seats. Reserve a seat at program@bonnierskonsthall.se (For this event we need the names of all visitors. Don\u2019t forget to state all names if you book tickets for more people than yourself. Booked tickets have to be picked up in the reception at Bonniers Konsthall, Torsgatan 19, by 5 pm the same day.<br \/>\nIf unable to attend, please let us know!<\/p>\n<p>The concert will take place in the palace state apartment and visitors will move around in the rooms. Each visit lasts for about 30 minutes. When you booked your ticket, we will give you your entrance time. Please come 10 minutes before your entrance time.<\/p>\n<figure id=\"attachment_3335\" aria-describedby=\"caption-attachment-3335\" style=\"width: 633px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3335\" alt=\"Tarek Atoui. Photo: Jade Collet \" src=\"https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2013\/08\/TarekAtoui.webb_.jpg\" width=\"633\" height=\"412\" srcset=\"https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2013\/08\/TarekAtoui.webb_.jpg 633w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2013\/08\/TarekAtoui.webb_-300x195.jpg 300w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2013\/08\/TarekAtoui.webb_-630x410.jpg 630w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2013\/08\/TarekAtoui.webb_-600x391.jpg 600w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2013\/08\/TarekAtoui.webb_-260x169.jpg 260w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2013\/08\/TarekAtoui.webb_-580x377.jpg 580w\" sizes=\"auto, (max-width: 633px) 100vw, 633px\" \/><figcaption id=\"caption-attachment-3335\" class=\"wp-caption-text\">Tarek Atoui. Photo: Jade Collet<\/figcaption><\/figure>\n\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Tarek Atoui (b. 1980, Beirut, Lebanon) is one of the world\u2019s most celebrated contemporary sound artists. Performances utilising custom-built electronic instruments and computers, alongside Atoui\u2019s intense physical presence, have become his trademark.\u00a0The performances are for the most part improvised, but are consistently grounded in a search for new sounds and meticulous research into sound archives [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":128,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"0","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"footnotes":"","dc_blocks_simple_meta_v2_settings":[],"dc_blocks_post_thumb_focal_point":[],"dc_blocks_simple_data":[]},"class_list":["post-3235","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/pages\/3235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/comments?post=3235"}],"version-history":[{"count":28,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/pages\/3235\/revisions"}],"predecessor-version":[{"id":3404,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/pages\/3235\/revisions\/3404"}],"wp:attachment":[{"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/media?parent=3235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}