{"id":1880,"date":"2012-09-13T09:45:04","date_gmt":"2012-09-13T09:45:04","guid":{"rendered":"https:\/\/bonnierskonsthall.se\/bonniers-konsthall-remixed\/"},"modified":"2026-03-01T12:07:07","modified_gmt":"2026-03-01T11:07:07","slug":"bonniers-konsthall-remixed","status":"publish","type":"page","link":"https:\/\/bonnierskonsthall.se\/en\/bonniers-konsthall-remixed\/","title":{"rendered":"Bonniers Konsthall Remixed"},"content":{"rendered":"\n<div class=\"wp-block-group alignfull migrated has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n\n\n\n<p>From Danger Mouse&#8217;s <em>Grey Album<\/em> to Salem&#8217;s slowed-down version of Britney&#8217;s <em>Till the World Ends, <\/em>remix culture is revolutionizing contemporary dance music and challenging existing copyright laws. But what exactly does it mean to have most of the world&#8217;s music just a few clicks away via downloading, or to have easy-to-use software that makes it possible for anyone to make a song their own? Or that social media and user-driven sites like Soundclound play an ever-increasing role in music distribution? What kind of imprint will the technical developments of today leave on tomorrow&#8217;s music scene?<\/p>\n<p>Bonniers Konsthall wants to take the pulse of contemporary remix culture. We&#8217;ve asked Hans Berg, a DJ known for his collaboration with Nathalie Djurberg, to create a signature melody for us. Now it&#8217;s up to you to make your mark on our song.<\/p>\n<p>We&#8217;re looking forward to receiving a diverse group of songs, in which everything from dance pop to artistic experimentalism will be represented. We welcome your contributions!<\/p>\n<h4>This is how it works<\/h4>\n<p>We urge all music makers, professional and amateur, to remix Hans Berg&#8217;s song for the Bonniers Konsthall Remixed contest.<br \/>\nTo participate just download the app,\u00a0<em>Bonniers Konsthall Remixed<\/em>, with our song and make a remix on your iPhone.<br \/>\nYou can also download the original song from our <a href=\"http:\/\/soundcloud.com\/bonniers-konsthall\">Soundcloud<\/a>.<br \/>\nE mail your finished remix to <a href=\"mailto: bkremix@bonnierskonsthall.se\">bkremix@bonnierskonsthall.se<\/a> before <strong>November 5th. <\/strong>Don&#8217;t forget to put your name and e-mail<strong>!<br \/>\n<\/strong><\/p>\n<p>A jury will review all entries and select a winner, who will be presented in th konsthall friday Now 30th.<\/p>\n<p>&nbsp;<\/p>\n\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>From Danger Mouse&#8217;s Grey Album to Salem&#8217;s slowed-down version of Britney&#8217;s Till the World Ends, remix culture is revolutionizing contemporary dance music and challenging existing copyright laws. But what exactly does it mean to have most of the world&#8217;s music just a few clicks away via downloading, or to have easy-to-use software that makes it [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1874,"parent":0,"menu_order":30,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"0","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"footnotes":"","dc_blocks_simple_meta_v2_settings":[],"dc_blocks_post_thumb_focal_point":[],"dc_blocks_simple_data":[]},"class_list":["post-1880","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/pages\/1880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/comments?post=1880"}],"version-history":[{"count":9,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/pages\/1880\/revisions"}],"predecessor-version":[{"id":5415,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/pages\/1880\/revisions\/5415"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/media\/1874"}],"wp:attachment":[{"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/media?parent=1880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}