{"id":22578,"date":"2022-04-06T14:59:30","date_gmt":"2022-04-06T13:59:30","guid":{"rendered":"https:\/\/bonnierskonsthall.se\/?post_type=calendar_event&#038;p=22578"},"modified":"2026-03-01T11:47:07","modified_gmt":"2026-03-01T10:47:07","slug":"kulturnatten-art-film-night","status":"publish","type":"calendar_event","link":"https:\/\/bonnierskonsthall.se\/en\/event\/kulturnatten-art-film-night\/","title":{"rendered":""},"content":{"rendered":"\n<div class=\"wp-block-group alignfull migrated has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n\n\n<div class=\"wp-block-group alignfull has-custom-electric-yellow-background-color has-background has-global-padding is-layout-constrained wp-container-core-group-is-layout-04ae6134 wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-794e3cfa wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\" style=\"padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\"><div style=\"--crumb-space: 10px\" class=\"with-h-scroll wp-elements-f7b8168b2744556979d8be03f35909a2 wp-block-dc-blocks-breadcrumbs has-text-color has-theme-3-color has-tiny-font-size\">\n\t<ul class=\"crumbs\">\n\t\t\t\t\t<li class=\"crumb home\">\n\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/bonnierskonsthall.se\/en\/\">Hem<\/a>\n\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n<\/div>\n\n\n\n\n\n<p class=\"has-theme-4-color has-text-color has-link-color wp-elements-c99090ffea57e93e3eee2aac4bc00278 wp-block-paragraph\">Saturday 23 April 2022 18:00\u201323:55<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-cover\" style=\"min-height:50vh;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#FFF\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1222\" src=\"https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/Ordbild-1920X1222px.png\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"\" data-object-fit=\"cover\" srcset=\"https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/Ordbild-1920X1222px.png 1920w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/Ordbild-1920X1222px-300x191.png 300w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/Ordbild-1920X1222px-1024x652.png 1024w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/Ordbild-1920X1222px-768x489.png 768w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/Ordbild-1920X1222px-1536x978.png 1536w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/Ordbild-1920X1222px-1280x815.png 1280w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><div class=\"wp-block-cover__inner-container has-global-padding is-layout-constrained wp-block-cover-is-layout-constrained\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-88a7cd46 wp-block-columns-is-layout-flex\" style=\"margin-top:var(--wp--preset--spacing--30);margin-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\" style=\"margin-bottom:var(--wp--preset--spacing--30)\">\n<p class=\"has-medium-font-size wp-block-paragraph\">Welcome to Art Film Night! <br \/>\r\n<br \/>\r\nBonniers konsthall presents video works by artists Salad Hilowle, Lap-See Lam \/ Wingyee Wu, Theresa Traore Dahlberg and Victoria Verseau. The works examine complex themes, from relationships to postcolonialism and equality. <br \/>\r\n<br \/>\r\nDuring the evening, the films are presented by the artists themselves, either on site or digitally.<br \/>\r\n<br \/>\r\nGrab a popcorn cone from our caf\u00e9 and enjoy the video works!<\/p>\n\n<\/div>\n\n\n<h3>Program<\/h3>\r\n<p class=\"paragraph\"><strong><span class=\"normaltextrun\">18.00\u00a0<\/span><span class=\"normaltextrun\">Presentation Victoria <\/span><span class=\"spellingerror\">Verseau<\/span><\/strong><span class=\"eop\"><strong>\u00a0<\/strong>\r\n<\/span><span class=\"normaltextrun\">18.15\u00a0<\/span>Victoria Verseau, <em>A Ghost\u2019s Gaze<\/em>, 2021\r\n<span class=\"normaltextrun\">18.45\u00a0<\/span>Salad Hilowle, <em>Morianer<\/em>, 2018\r\n<span class=\"eop\"><strong><span class=\"normaltextrun\">19.00 <\/span><span class=\"normaltextrun\">Presentation Theresa <\/span><span class=\"spellingerror\">Traore<\/span><span class=\"normaltextrun\"> Dahlberg<\/span>\u00a0<\/strong>\r\n<\/span><span class=\"normaltextrun\">19.15\u00a0<\/span>Theresa Traore Dahlberg, <em>The Ambassador\u2019s Wife<\/em>, 2017\r\n<span class=\"normaltextrun\">19.40\u00a0<\/span>Lap-See Lam\/Wingyee Wu, <em>Mother&#8217;s Tongue<\/em>, 2017\r\n<strong><span class=\"normaltextrun\">20.00 <\/span><span class=\"normaltextrun\">Digital presentation Salad <\/span><span class=\"spellingerror\">Hilowle<\/span><\/strong><span class=\"eop\"><strong>\u00a0<\/strong>\r\n<\/span><span class=\"normaltextrun\">20.15 Salad Hilowle, <em>Morianer<\/em>, 2018<\/span><span class=\"eop\">\r\n<\/span><span class=\"normaltextrun\">20.30 Victoria Verseau, <em>A Ghost\u2019s Gaze<\/em>, 2021<\/span><span class=\"eop\">\r\n<\/span><strong><span class=\"normaltextrun\">21.00 <\/span><span class=\"normaltextrun\">Digital presentation Lap-<\/span><span class=\"spellingerror\">See<\/span><span class=\"normaltextrun\"> Lam <\/span><\/strong><span class=\"eop\"><strong>\u00a0<\/strong>\r\n<\/span><span class=\"normaltextrun\">21.15 Lap-See Lam\/Wingyee Wu, <em>Mother&#8217;s Tongue<\/em>, 2017<\/span><span class=\"eop\">\r\n<\/span><span class=\"normaltextrun\">21.45 Salad Hilowle, <em>Morianer<\/em>, 2018<\/span><span class=\"eop\">\r\n<\/span><span class=\"normaltextrun\">22.00 Theresa Traore Dahlberg, <em>The Ambassador\u2019s Wife<\/em>, 2017<\/span><span class=\"eop\">\r\n<\/span><span class=\"normaltextrun\">22.30 Victoria Verseau, <em>A Ghost\u2019s Gaze<\/em>, 2021<\/span><span class=\"eop\">\r\n<\/span><span class=\"normaltextrun\">23.00 Lap-See Lam\/Wingyee Wu, <em>Mother&#8217;s Tongue<\/em>, 2017<\/span><span class=\"eop\">\r\n<\/span><span class=\"normaltextrun\">23.30 Salad Hilowle, <em>Morianer<\/em>, 2018<\/span><\/p>\r\n<div id='gallery-1' class='gallery galleryid-22578 gallery-columns-1 gallery-size-full'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/bonnierskonsthall.se\/en\/event\/kulturnatten-art-film-night\/thumbnail-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"326\" height=\"183\" src=\"https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/thumbnail.png\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-22554\" srcset=\"https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/thumbnail.png 326w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/thumbnail-300x168.png 300w\" sizes=\"auto, (max-width: 326px) 100vw, 326px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-22554'>\n\t\t\t\tSalad Hilowle, <i>Morianer<\/i>, 2018. Still image.\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\r\n<h3>Salad Hilowle, Morianer, 2018<\/h3>\r\n02.32 min\r\n\r\nIn his work\u00a0<em>Morianer<\/em>\u00a0(Blackamoors), Salad Hilowle lets the camera pass slowly through a post-industrial building. It is a reconstituted place that has lost its value along with its previous use, but has also been liberated from the hard work and toil associated with industry. Here we encounter, and are reflected in, the eyes of others; the view of people and the gaze from a gathering of men. They seem to be waiting for something. Perhaps to be regarded in another way, besides the colour of their skin, to escape from the structural violence and discrimination that are consequences of colonial legacies and perpetual racialisation processes; to not just survive, but to live at length in peace and safety, as a life in Sweden should be.\r\n\u2013 Erik Oscar Anderman, konstkonsulent Region G\u00e4vleborg\r\n\r\nSalad Hilowle (born 1986, Somalia) grew up in G\u00e4vle, Sweden. As both an artist and film director, Hilowle frequently returns to how it feels to find oneself between two states of being; to be pressed by various notions regarding how we are expected to react based on our identities and to truly not be at home anywhere. We see this represented in fragile collages that balance on the boundary of the gently critical and the deeply frustrated, and in films that move as dreams among personal landscapes of memory and politically stifling spaces. Salad Hilowle has a MFA from the Royal Institute of Art in Stockholm. He is currently working on a feature film with the working title\u00a0<em>Tungom\u00e5l<\/em>\u00a0(Tongue) and is a recipient of the Bernadotte Grant 2020 from the Royal Academy of Fine Arts.\r\n\r\n<div id='gallery-2' class='gallery galleryid-22578 gallery-columns-1 gallery-size-full'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/bonnierskonsthall.se\/en\/event\/kulturnatten-art-film-night\/thumbnail1-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"326\" height=\"183\" src=\"https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/thumbnail1.png\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-2-22556\" srcset=\"https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/thumbnail1.png 326w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/thumbnail1-300x168.png 300w\" sizes=\"auto, (max-width: 326px) 100vw, 326px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-22556'>\n\t\t\t\tLap-See Lam\/Wingyee Wu, <i>Mother\u00b4s Tongue<\/i>, 2017. Still image.\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\r\n<h3>Lap-See Lam\/Wingyee Wu, Mother&#8217;s Tongue, 2017<\/h3>\r\n17,42 min\r\n3D-animation, HD video and stereo sound\r\n\r\nThe video installation <em>Mother\u2019s Tongue<\/em> (2017), a collaboration with director WingYee Wu, is originally presented as an app, where 3-D film sequences transport the viewer on a journey across time and space. Told from the future, the film introduces three generations of women, who speak of their experience of the Chinese restaurant and how it changes over time. Identity politics and the value of cultural-historical heritage interweave, with the restaurant representing a subjective consciousness where traces of both realism and science fiction can be found.\r\n\r\nProducer: Mossutst\u00e4llningar\r\nGraphic design: Thomas Bush\r\nSound design: Max\u202fStenerudh\r\nVoice actors: Sofie Wu, Emmie Chau &amp; Yuk-Lin Lam.\r\nSpecial thanks to\u202feveryone at Restaurant Ming Garden, Restaurant Mandarin City, Restaurant Hong\u202fKong and family Lam.\r\nCourtesy of the artists and Galerie Nordenhake Stockholm.\r\n\r\nLap-See Lam (b. 1990, Stockholm)\u00a0holds an MFA from the Royal Institute of Art in Stockholm. She was awarded the prestigious Dagens Nyheter Culture Prize in 2021. In 2020, Forbes included her in their 30 under 30 list of young visionaries in European art and culture. In 2021, she was nominated for the international Future Generation Art Prize. She has participated in numerous national and international exhibitions, including the Lule\u00e5 biennial (2018), Performa 19, New York (2019) and Fondation Cartier pour l\u2019art contemporain, Paris (2019). She recently presented her first comprehensive solo exhibition at Bonniers Konsthall (2022) and was awarded the 2017 Mara Bonnier Dahlin Scholarship. Moderna Museet in Stockholm has works by Lam in its collection.\r\n\r\nWingyee Wu is an NYU and Central Saint Martins educated filmmaker, as well as a businesswoman with roots in the Hong Kong diaspora, currently living and working in Stockholm.\r\n\r\n<div id='gallery-3' class='gallery galleryid-22578 gallery-columns-1 gallery-size-full'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/bonnierskonsthall.se\/en\/event\/kulturnatten-art-film-night\/25-exp-bad-003-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1080\" src=\"https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/25-exp-bad-003.jpeg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-3-22550\" srcset=\"https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/25-exp-bad-003.jpeg 2048w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/25-exp-bad-003-300x158.jpeg 300w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/25-exp-bad-003-1024x540.jpeg 1024w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/25-exp-bad-003-768x405.jpeg 768w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/25-exp-bad-003-1536x810.jpeg 1536w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/25-exp-bad-003-1280x675.jpeg 1280w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-22550'>\n\t\t\t\tTheresa Traore Dahlberg, <i>The Ambassador\u2019s Wife<\/i>, 2017. Still image.\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\r\n<h3>Theresa Traore Dahlberg, The Ambassador\u2019s Wife, 2017<\/h3>\r\n16 min\r\n\r\nIn the film <em>The Ambassador\u2019s Wife<\/em>, we follow the wife of the French Ambassador and her comfortable existence in Ouagadougou, Burkina Faso. The camera slowly pans over the residence\u2019s impressive garden, where workers continually maintain its splendour. The viewer is soon aware that <em>The ambassador\u2019s wife<\/em>dreamed of being a famous opera singer. Every day, she sings her repertoire knowing that as the ambassador\u2019s wife she is not allowed to work. Caged in a privileged environment, she uses song to endure her present and keep her dreams alive.\r\n\r\nTheresa Traore Dahlberg (f. 1983) is a filmmaker and visual artist. She grew up on the Swedish island of \u00d6land and in Burkina Faso and is now based in Stockholm, with a degree from the Stockholm Academy of Dramatic Arts and the Royal Institute of Art as well as The New School, New York. Traore Dahlberg is acclaimed for her poetic and subtlety effective manner of portraying themes such as power structures, postcolonialism and equality.\r\n\r\n<div id='gallery-4' class='gallery galleryid-22578 gallery-columns-1 gallery-size-full'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/bonnierskonsthall.se\/en\/event\/kulturnatten-art-film-night\/approaching-a-ghost_05-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1080\" src=\"https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/Approaching-a-Ghost_05.jpeg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-4-22552\" srcset=\"https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/Approaching-a-Ghost_05.jpeg 2048w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/Approaching-a-Ghost_05-300x158.jpeg 300w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/Approaching-a-Ghost_05-1024x540.jpeg 1024w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/Approaching-a-Ghost_05-768x405.jpeg 768w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/Approaching-a-Ghost_05-1536x810.jpeg 1536w, https:\/\/bonnierskonsthall.se\/wp-content\/uploads\/2022\/04\/Approaching-a-Ghost_05-1280x675.jpeg 1280w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-4-22552'>\n\t\t\t\tVictoria Verseau, <i>A Ghost\u2019s Gaze<\/i>, 2021. Still image.\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\r\n<h3>Victoria Verseau, A Ghost\u2019s Gaze, 2021<\/h3>\r\n21:07 min\r\nHD Video\r\n\r\n<em>A Ghost\u2019s Gaze<\/em> is Victoria Verseau\u2019s attempt to capture and care for the memory of her late friend Meril. The artist and Meril met in Thailand when they were about to undergo a gender confirmation surgery. During a period marked by anxiety awaiting an uncertain future, they found important support in each other.\r\n\r\nThe work depicts abandoned places such as the now worn-down hospital where the artist and Meril underwent their surgery, the quiet hotel where they afterwards recovered and the tidal lands on the outskirts of the city. A whispering voice tells of the places and the friends, of distant memories that are evoked like ghosts. <em>A Ghost\u2019s Gaze<\/em> wants to portray a place beyond time, a suspended spatiality that hovers between life and death.\r\n\r\nEdit: Victoria Verseau\r\nPhotography: Daniel Taka\u0301cs\r\nSound design &amp; grade: David Nord\r\n\r\nVictoria Verseau (born 1988) works in a variety of media ranging from moving image to sculpture, large-scale installation and performance. She lives and works in Stockholm where she graduated with an MFA from the Royal Institute of Art in 2020. Verseau\u2019s artistic practice is focused on examination of the body, identity and social structures. In her work there are points of contact with philosophy and spirituality. Her personal experiences of being a trans and new woman is often a starting point. Based on her own story, she strives to process existential issues; who we are, who we want to be and the meaning of life. Victoria Verseau has had several exhibitions in Sweden: Kulturhuset, Stockholm, (2021), Gislaveds konsthall (2021) and Uppsala konstmuseum (2021). In 2017, she was awarded the ANNA Prize for her work with film.\n\n\n\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n    \n<\/div>\n<\/div>\n\n\n<\/div>\n","protected":false},"featured_media":22558,"template":"","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"0","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"dc_blocks_simple_meta_v2_settings":[],"dc_blocks_post_thumb_focal_point":[],"dc_blocks_simple_data":[{"dataType":"date","privateLabel":"Event start date","dataValue":"2022-04-23 18:00:00"},{"dataType":"date","privateLabel":"Event end date","dataValue":"2022-04-23 23:55:00"}]},"bkh-artists":[],"calendar_event_category":[],"class_list":["post-22578","calendar_event","type-calendar_event","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/calendar_event\/22578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/calendar_event"}],"about":[{"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/types\/calendar_event"}],"version-history":[{"count":15,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/calendar_event\/22578\/revisions"}],"predecessor-version":[{"id":36054,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/calendar_event\/22578\/revisions\/36054"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/media\/22558"}],"wp:attachment":[{"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/media?parent=22578"}],"wp:term":[{"taxonomy":"bkh_artist","embeddable":true,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/bkh-artists?post=22578"},{"taxonomy":"calendar_event_category","embeddable":true,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/calendar_event_category?post=22578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}