{"id":33602,"date":"2025-11-12T09:38:32","date_gmt":"2025-11-12T08:38:32","guid":{"rendered":"https:\/\/bonnierskonsthall.se\/?post_type=bonnier_exhibition&#038;p=33602"},"modified":"2026-03-07T17:09:12","modified_gmt":"2026-03-07T16:09:12","slug":"earlier-program-encore","status":"publish","type":"bonnier_exhibition","link":"https:\/\/bonnierskonsthall.se\/en\/utstallning\/encore\/earlier-program-encore\/","title":{"rendered":"Earlier Events &#8211; ENCORE!"},"content":{"rendered":"\n<div class=\"wp-block-group alignfull migrated has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignfull migrated-exhibition-header has-global-padding is-content-justification-center is-layout-constrained wp-container-core-group-is-layout-45560088 wp-block-group-is-layout-constrained\" style=\"margin-bottom:var(--wp--preset--spacing--50)\">\n<div class=\"wp-block-cover alignfull is-light has-custom-content-position is-position-bottom-center\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--30);min-height:600px;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-theme-6-background-color has-background-dim-20 has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container has-global-padding is-layout-constrained wp-container-core-cover-is-layout-32b3451b wp-block-cover-is-layout-constrained\">\n<div class=\"wp-block-group alignwide has-global-padding is-content-justification-left is-layout-constrained wp-container-core-group-is-layout-3f321cca wp-block-group-is-layout-constrained\"><h2 class=\"has-text-align-left has-link-color alignwide wp-elements-0e5945498149ef00bf00d96d96809a75 wp-block-post-title has-text-color has-theme-1-color has-xx-large-font-size\">Earlier Events &#8211; ENCORE!<\/h2>\n\n\n<\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-8661c452 wp-block-columns-is-layout-flex\" style=\"margin-bottom:var(--wp--preset--spacing--40)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n    \n\n\n\n<div class=\"wp-block-group has-global-padding is-content-justification-left is-layout-constrained wp-container-core-group-is-layout-99f3e915 wp-block-group-is-layout-constrained\">\n\n<h4>Sat 23\/3 \u00a0Prelude at Bonniers Konsthall, 17.30-01.30<\/h4>\n<p>Matthew Barney, <i>Cremaster Cycle\u00a0 1-5<\/i>, 1994-2002 (397 min).<br \/>\n<em>The Cremaster Cycle<\/em> is a series of five films directed by artist Matthew Barney. Biologically, the cremaster is a muscle that raises and lowers the testicles. In his five-part epic, Barney traces the formation of sexual definitely, using the descension of the cremaster muscle as a symbol for the onset of male gender. Barney has also said the film can be seen as tracing the creative process of the artist, and also a self-portrait.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/6xWtS9HsP4U\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4>At Biografen Sture:<\/h4>\n<h4>Mon \u00a025\/3 Invigningskv\u00e4ll<\/h4>\n<p>Jennifer Bornstein, <i>Celestial Spectacular, <\/i>2002 (4 min).<br \/>\n<i>Celestial Spectacular <\/i>is a silent short film depicting a natural phenomenon. The film addresses notions of obsolescence: for example, the obsolescence of 16mm film as an art or documentary medium; of rudimentary, home-made special effects; and the notion of film&#8217;s and photography&#8217;s ability to capture truth.<\/p>\n<p>Matthew Barney, <i>Drawing Restraint 9, <\/i>2012, (150 min).<br \/>\nWith a soundtrack composed by Bj\u00f6rk,<i> Drawing Restraint 9\u00a0<\/i>is an unconventional love story set in Japan. The narrative structure is built upon themes such as the Shinto religion, the tea ceremony, the history of whaling, and the supplantation of blubber with refined petroleum for oil. <i>DR9 <\/i>is an ongoing series of films, sculptures and drawings that Barney has been working with since 1987.<\/p>\n<h4>Tue 26\/3 Cause and effect<\/h4>\n<p>Fischli &amp; Weiss, <i>The Way Things Go, <\/i>1987 (30 min).<br \/>\n<em>The Way Things Go<\/em> is an art film by the Swiss artist duo\u00a0Peter Fischli and David Weiss. It documents a long causal chain assembled of everyday objects, resembling a\u00a0Rube Goldberg machine.<\/p>\n<p>The Otolith Group, <i>The Radiant, <\/i>2012 (64 min)<br \/>\n<em>The Radiant<\/em> explores the aftermath of March 11 2011, when the Great Tohoku Earthquake struck the North East Coast of Japan. The Radiant travels through time and space, invoking the historical promise of nuclear energy and summoning the future threat of radiation.<\/p>\n<h4>Mon\u00a0 1\/4\u00a0 Ways of being<\/h4>\n<p>Ben Russell, <i>Trypps #7, <\/i>2010 (10 min)<br \/>\nAn intimate long-take of a young woman&#8217;s LSD trip in the Badlands National Park that descends into a psychedelic, formal abstraction of the expansive desert landscape. Concerned with notions of the romantic sublime, phenomenological experience, and secular spiritualism, the work continues Russell\u2019s unique investigation into the possibilities of cinema as a site for transcendence.<\/p>\n<p>Daria Martin, <i>Sensorium Tests, <\/i>2012 (20 min).<br \/>\n<em>Sensorium Tests<\/em> is set in a controlled laboratory environment where a woman is being measured for her capacity to respond to sensory stimuli while a scientific observer looks on. This woman&#8217;s sensory responses to selected tones and images mimic the real-life neurological phenomenon of synaesthesia, the joining of normally separate perceptions, such as &#8216;hearing&#8217; colors, &#8216;smelling&#8217; words, &#8216;tasting&#8217; shapes, &#8216;feeling&#8217; names.<\/p>\n<p>Mark Leckey, <i>Fiorucci Made Me Hardcore<\/i>, 1999 (15 min)<br \/>\n<i>Fiorucci Made Me Hardcore <\/i>stitches together together found and original footage of discos and raves across Britain during the 1970s, 1980s and 1990s, chronicling the rites of passage experienced by successive generations of British (sub)urban youth<i>.<\/i><\/p>\n<p>Ben Rivers, <i>Two Years at Sea, <\/i>2009 (88 min).<br \/>\n<em>Two Years at Sea<\/em> follows Jake Williams, an older man who lives in the middle of the forest. He goes for walks in whatever the weather, and takes naps in the misty fields and woods. He builds a raft to spend time sitting in a loch. He is seen in all seasons, surviving frugally, passing the time with strange projects.<\/p>\n<h4>Tue 2\/4\u00a0 Encore! According to Pierre Bismuth<\/h4>\n<p>AES+F, <i>The Feast of Trimalchio, <\/i>2009 (25 min).<\/p>\n<p>Renzo Marten, <i>Episode III:Enjoy Poverty, <\/i>2009 (90 min).<br \/>\nEpisode III, also known as &#8216;Enjoy Poverty&#8217;, is the 90 minute film registration of Renzo Martens&#8217; activities in the Congo. In an epic journey, the film establishes that images of poverty are the Congo\u2019s most lucrative export, generating more revenue than traditional exports like gold, diamonds, or cocoa. However, just as with these traditional exports, those that provide the raw material &#8211; the poor being filmed &#8211; hardly benefit from it at all.<\/p>\n<p>The night is introduced by Pierre Bismuth, artist and screenwriter (co-writer of <em>Eternal Sunshine of the Spotless Mind<\/em>)<\/p>\n<h4>Mon\u00a0 8\/4\u00a0 After the cathastrophy<\/h4>\n<p>Chris Marker, <i>La Jete\u00e9, <\/i>1962 (28 min).<br \/>\nThe influential science fiction film La Jate\u00e9 from 1962 tells a story of time travel through still images. The tale of a man, a slave, sent back and forth, in and out of time, to find a solution to the world\u2019s fate after World War III.<\/p>\n<p>Lea Porsager, <i>The Anatta Experiment, <\/i>2012 (24 min).<br \/>\n<em>The Anatta Experiment<\/em>, first exhibited at Documenta 13, revolves around the experimental and spiritual groups who had their base on Monte Verit\u00e0 \u2013 The Truth Mountains &#8211; in Ascona, Switzerland in the early 1900s.<\/p>\n<p>Omer Fast, <i><i>CNN Concatenated<\/i>, <\/i>2002 (18 min).<br \/>\nIn <em>CNN Concatenated<\/em>, death is signified by a compulsive staccato montage of words, phonemes and pauses for breath sampled from ten thousand hours of images recorded from the 24-hour news channel, all uttered by male and female presenters who are substituted one for another, in one long chain of identical links. A meta-discourse of breath and words takes force rather than form in this montage, which builds the anxious rhythm of an urgent harangue, subliminal and paranoid, uttered in the first person and addressed to \u2019you\u2019, a spectator.<\/p>\n<p>Christian Jankowski, <i>Casting Jesus, <\/i>2012 (45 min).<br \/>\n<em>Casting Jesus<\/em> is an audition where 13 professional actors compete for the role of Jesus. A distinguished panel of Vatican members judge the actors as they complete a variety of tasks including, breaking bread, performing a miracle and carrying the cross, as well as dramatic interpretations of their favorite Jesus quotes.<\/p>\n<h4>Tue 9\/4\u00a0 Encore! According to Lisa Tan<\/h4>\n<p>Moyra Davey, <i>Les Goddesses, <\/i>2011 (61 min).<br \/>\nDavey scours through her earliest black-and-white photographs: portraits of her rebellious Catholic sisters in the early 1980s.\u00a0 She walks around her apartment, whispers in the microphone and quotes everything from the philosopher Walter Benjamin\u2019s thoughts on photography to the poet Alejandra Piznarnik\u2019s ideas on food.<\/p>\n<p>John Bock, <em>Gast<\/em>, 2004 (11 min).<br \/>\n<em>Gast<\/em> depicts a rabbit hopping freely in the artist&#8217;s apartment, which is littered with sculptures composed of quotidian household items. Bock&#8217;s camera follows the rabbit&#8217;s movements as his own costume manipulates them.\u00a0References to Joseph Beuys&#8217; performance How to <em>Explain Pictures to a Dead Hare\u00a0<\/em>(1965)\u00a0are evident, but Bock reverses Beuys&#8217; mandate by learning from rather than teaching his companion.<\/p>\n<p>Lisa Tan, <i>Sunsets, <\/i>2012 (23 min).<br \/>\nThe video documents an informal translation and transcription (Portuguese to English) of a 1977 interview with the Brazilian writer Clarice Lispector (1920-1977).\u00a0 Lispector&#8217;s figurative and highly imaginative stories approach the limits of subjectivity in remarkable ways.\u00a0 The piece layers the interview with scenes that were filmed in Sweden during the liminal zone of either 3am during the summer, or 3pm during the winter.<\/p>\n<p>The night is introduced by Lisa Tan.<\/p>\n<h4>Mon\u00a0 15\/4 \u00a0Re-staging<\/h4>\n<p>John Smith, <i>Girl Chewing Gum, <\/i>1976 (12 min).<br \/>\nA commanding voice over appears to direct the action in a busy London street. \u00a0As the instructions become more absurd and fantasized, we realize that the supposed director (not the shot) is fictional. Since 1972, British filmmaker John Smith has developed a style that reworks reality and playfully exposes the cinematic language for viewers.<\/p>\n<p>Jeremy Deller, <i>The Battle of Orgreave, <\/i>2001 (63 min).<br \/>\n<em>The Battle of Orgreave<\/em>, staged 17 years after the original battle, is a large scale performance re-enacting a confrontation between the police and striking miners from the 1984-5 miners strike.\u00a0More than 800 people participated in the re-enactment, many of them former miners, and a few former policemen, reliving the events from 1984 that they themselves took part in.<\/p>\n<p>Phil Collins, <i>marxism today, <\/i>2010 (35 min).<br \/>\n<em>marxism today<\/em> comprises a series of interviews held with three women who taught Marxism-Leninism in East Germany before the fall of the Berlin Wall in 1989. Interspersed with archival footage, the film offers different perspectives on life before and after the collapse of the German Democratic Republic.<\/p>\n<h4>Tue 16\/4 Trisha Donnelly<\/h4>\n<p>Trisha Donnelly, <i>Untitled, <\/i>2012 (90 min).<br \/>\n<em>&#8220;Untitled<\/em> (2010-ongoing) from Documenta13 is a kind of digital screen wipe: a horizontal scrolling bar scraped pixels across the wide cinema screen and seemed to promise a blank screen, but instead left behind a digital smudge. In our digitized world it might seem ridiculous to be concerned about the properties of specific mediums, but perhaps there is still something at stake in asking whether a work like\u00a0Untitled\u00a0is a painting or a film, or somehow both&#8221; (Frieze magazine, issue 151).<\/p>\n<p>&nbsp;<\/p>\n\n\n<\/div>\n\n\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-f58ed2a0 wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group has-theme-2-background-color has-background factbox has-global-padding is-layout-constrained wp-container-core-group-is-layout-2571061f wp-block-group-is-layout-constrained\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20)\">\n<div class=\"wp-block-group has-theme-4-color has-text-color has-link-color wp-elements-aed5d5de202ca60757eaaed69cb0fe07 is-vertical is-layout-flex wp-container-core-group-is-layout-f313c169 wp-block-group-is-layout-flex\">\n<p class=\"wp-block-paragraph\">Utst\u00e4llning<\/p>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul style=\"padding-top:0;padding-bottom:0;margin-top:0;margin-bottom:0;\" class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-2274 bonnier_exhibition type-bonnier_exhibition status-publish has-post-thumbnail hentry\">\n<h2 style=\"margin-top:0;margin-bottom:0;\" class=\"has-link-color wp-elements-49fed7b908d081cbe1fe2ae95c41301b wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/bonnierskonsthall.se\/en\/utstallning\/encore\/\" target=\"_self\" >Encore!<\/a><\/h2>\n<\/li><\/ul><\/div>\n\n<\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" style=\"margin-top:var(--wp--preset--spacing--40)\">\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-33602 bonnier_exhibition type-bonnier_exhibition status-publish hentry\">\n<h3 style=\"font-style:normal;font-weight:500; padding-top:0;padding-bottom:0;margin-top:0;margin-bottom:0;\" class=\"wp-block-post-title has-small-font-size\"><a href=\"https:\/\/bonnierskonsthall.se\/en\/utstallning\/encore\/earlier-program-encore\/\" target=\"_self\" >Earlier Events &#8211; ENCORE!<\/a><\/h3>\n<\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<\/div>\n","protected":false},"featured_media":0,"parent":2274,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"0","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"dc_blocks_simple_meta_v2_settings":[],"dc_blocks_post_thumb_focal_point":[],"dc_blocks_simple_data":[]},"bkh-artists":[],"calendar_event_category":[],"class_list":["post-33602","bonnier_exhibition","type-bonnier_exhibition","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/bonnier_exhibition\/33602","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/bonnier_exhibition"}],"about":[{"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/types\/bonnier_exhibition"}],"version-history":[{"count":2,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/bonnier_exhibition\/33602\/revisions"}],"predecessor-version":[{"id":33604,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/bonnier_exhibition\/33602\/revisions\/33604"}],"up":[{"embeddable":true,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/bonnier_exhibition\/2274"}],"wp:attachment":[{"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/media?parent=33602"}],"wp:term":[{"taxonomy":"bkh_artist","embeddable":true,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/bkh-artists?post=33602"},{"taxonomy":"calendar_event_category","embeddable":true,"href":"https:\/\/bonnierskonsthall.se\/en\/wp-json\/wp\/v2\/calendar_event_category?post=33602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}