{"id":32501,"date":"2025-04-25T14:20:20","date_gmt":"2025-04-25T13:20:20","guid":{"rendered":"https:\/\/bonnierskonsthall.se\/?post_type=bonnier_exhibition&p=32501"},"modified":"2026-03-07T17:09:11","modified_gmt":"2026-03-07T16:09:11","slug":"mire-lee","status":"publish","type":"bonnier_exhibition","link":"https:\/\/bonnierskonsthall.se\/en\/utstallning\/that-which-carried-me\/mire-lee\/","title":{"rendered":"Mire Lee"},"content":{"rendered":"\n
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Mire Lee<\/h2>\n\n\n<\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n
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Yuvinka Medina, senior curator, in conversation with Mire Lee.<\/p>\n\n\n<\/div>\n\n\n\n

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Yuvinka Medina: Your sculptures often exist in a state of slow transformation, evoking both physical and emotional tension. How do you see the relationship between decay, vulnerability, and human bonds in your work?<\/p>\n

Mire Lee: A body that rots is a body that has lived, that has been touched, held, connected. There is something deeply erotic and archaic about the inevitability of breakdown, about the way we dissolve into each other, into time, into the world. Although the installation included in this exhibition is rather a loud one, I am drawn to slowness, to languidity and its melancholic passivity. In sleep, in inertia, intelligence and articulation slip away, and we become similar to one another, more universal.<\/p>\n