{"id":31561,"date":"2024-12-18T14:01:55","date_gmt":"2024-12-18T13:01:55","guid":{"rendered":"https:\/\/bonnierskonsthall.se\/?post_type=bonnier_exhibition&p=31561"},"modified":"2026-03-07T17:09:11","modified_gmt":"2026-03-07T16:09:11","slug":"that-which-carried-me","status":"publish","type":"bonnier_exhibition","link":"https:\/\/bonnierskonsthall.se\/en\/utstallning\/that-which-carried-me\/","title":{"rendered":"That Which Carried Me"},"content":{"rendered":"\n
\n
\n
<\/span>\"\"
\n

That Which Carried Me<\/h2>\n\n\n

30 apr \u2192 15 jun 2025<\/p>\n\n<\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n

\n
\n \n\n
\n\n

Participating artists:<\/b> \u00c5sa Cederqvist, Wisrah C. V. da R. Celestino, Mire Lee, Narges Mohammadi and Mariana Ramos Ortiz<\/p>\n\n\n<\/div>\n\n\n\n

\n\n

That Which Carried Me<\/em> explores shelter as a multifaceted concept \u2013 a physical structure, an emotional anchor, a collective act, and a place for both the temporary and the permanent. Through sculpture and installation, the artists examine how we create, negotiate and lose safety in a world characterised by change. The exhibition moves through concepts of corporeality and vulnerability, material transformation and erosion, migration and collective memory. Here, shelter emerges as fragile and shifting \u2013 a barrier that can both enclose and confine, a structure that provides security yet remains vulnerable to destruction.<\/p>\n

The exhibition depicts a cycle in which shelter is constantly formed, broken down and reshaped. In the artworks, this becomes visible through the recurring motifs of the body, architecture and changing landscapes. The artists\u2019 choice of materials and spatial expressions reveal how power relations, gendered experiences and the politics of care shape how shelter is understood, given and denied. Several of the artists use forms that suggest protection whilst also harbouring ambiguity \u2013 structures that both enclose and exclude, materials that both carry and disintegrate.<\/p>\n\n