{"id":17612,"date":"2020-11-15T23:07:05","date_gmt":"2020-11-15T22:07:05","guid":{"rendered":"https:\/\/bonnierskonsthall.se\/?post_type=bonnier_exhibition&p=17612"},"modified":"2026-03-07T17:09:08","modified_gmt":"2026-03-07T16:09:08","slug":"artists-film-international-part-v","status":"publish","type":"bonnier_exhibition","link":"https:\/\/bonnierskonsthall.se\/en\/utstallning\/artists-film-international-part-v\/","title":{"rendered":"ARTISTS’ FILM INTERNATIONAL, PART V"},"content":{"rendered":"\n
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<\/span>\"Ergin
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ARTISTS’ FILM INTERNATIONAL, PART V<\/h2>\n\n\n

2 dec 2020 \u2192 3 feb 2021<\/p>\n\n<\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n

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As Bonniers Konsthall is temporarily closed, we offer you to view the last part of Artists Film International 2020 online on our website. There are a total of six films available and they will be screened here until the 3rd of February.
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\r\nArtists\u2019 Film International is a network of art institutions from around the world, first established in 2008 by the Whitechapel Gallery, London. From a selected theme, each participating institution chooses a film from an emerging artist. In 2020, more than twenty art institutions will participate – from Los Angeles and Buenos Aires in the west to Kabul and Mumbai in the east. The theme for 2020 is “Language”.<\/p>\n\n\n<\/div>\n\n\n\n

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Amina Dryabee, <\/span>Ergin \u00c7avu\u015fo\u011flu, <\/span>Francesco Pedraglio, <\/span>Leticia Obeid, <\/span>Vika Kirchenbauer, <\/span>Yao Qingmei<\/div>\n\n

Amina Dryabee<\/h3>\n

Determinism and Free will<\/em>, 2019
\nSelected by CCAA, Kabul, Afghanistan
\nDuration: 3 min<\/p>\n

In the film Determinism and Free Will<\/em> Amina Dryabee investigates the concept of destiny in relation to free will. What power do we have to influence our own lives? It is an issue with particular resonance for the director herself, a female artist working inAfghanistan. In the film, we follow a hand writing and erasing a few sentences on a piece of paper. A symbolic act, manifesting the possibility of writing our own history or future.<\/p>\n

https:\/\/vimeo.com\/497973687\/e6773adee1<\/p>\n\n

Ergin \u00c7avu\u015fo\u011flu<\/h3>\n

Desire Lines\/Tarot & Chess\/<\/em>, 2016
\nSelected by Istanbul Modern, Turkey
\nDuration: 29 min<\/p>\n

Desire Lines\/Tarot & Chess\/<\/em> is inspired by Italo Calvino\u2019s novel The Castle of Crossed Destinies<\/em> which examines how meaning is created, no matter if it is through words or images. In Ergin \u00c7avu\u015fo\u011flus film, the characters, just like in the novel, cannot speak to each other. Instead, they communicate with tarot cards, the images encouraging symbolic interpretations which are seen, by some, as prophetic.<\/p>\n

https:\/\/vimeo.com\/497990026\/678b4facdd<\/p>\n\n

Francesco Pedraglio<\/h3>\n

Scripting anticlockwise (6 constellations)<\/em>, 2017
\nSelected by GAMeC, Bergamo, Italy
\nDuration: 10 min<\/p>\n

In the film Scripting Anticlockwise (6 Constellations)<\/em> we follow a camera as it rotates anticlockwise and shows a series of abstract pictures, which could be considered some sort of symbolic language. A narrator interprets what we see and puts the pictures into a linguistic context, as if to illustrate that it is through language that we define our world.<\/p>\n

https:\/\/vimeo.com\/497980842\/3f4bc827a9<\/p>\n\n

Leticia Obeid<\/h3>\n

Janus<\/em>, 2015
\nSelected by Fundaci\u00f3n PROA, Buenos Aires, Argentina
\nDuration: 2,5 min<\/p>\n

Leticia Obeid\u2019s film gets its title from the Roman god Janus, who according to mythology had two faces: one that saw into the future and the other the past. In Obeid\u2019s work, life is portrayed as the written words of a book where the pages are flipped back and forth, as if the god Janus himself sat and leafed through the pages of our life stories.<\/p>\n

https:\/\/vimeo.com\/497977627\/987549cd71<\/p>\n\n

Vika Kirchenbauer<\/h3>\n

YOU ARE BORING!<\/em>, 2015
\nSelected by NBK, Berlin, Germany
\nDuration: 14 min<\/p>\n

YOU ARE BORING! examines the ambivalent relationship between \u201clooking\u201d and \u201cbeing looked at\u201d. As a viewer we meet actors who, in the language of marketing, offer us various extraordinary experiences. With her work, Vika Kirchenbauer wants to draw attention to how our bodies are increasingly commodified, not least by the experience industry.<\/p>\n

https:\/\/vimeo.com\/497978532\/498bc375fd<\/p>\n\n

Yao Qingmei<\/h3>\n

Sanzu Ding and its Patterns: Hypotheses on the Origin of the Hammer-Sickle Sign<\/em>, 2013 \u2013present
\nSelected by Para Site, Hong Kong
\nDuration: 20 min<\/p>\n

Professor Yao is a fictional character, in the guise of an authoritarian academic, created by artist Yao Qingmei. In this fictional documentary, a group of archaeologists have found
\nan ancient \u201cSanzu Ding\u201d, a Chinese urn with strange symbols reminiscent of the communist hammer and sickle. Professor Yao presents her hypotheses about the origin of the symbol and how it has evolved over time.<\/p>\n

https:\/\/vimeo.com\/497971122\/a5e1490e22<\/p>\n\n<\/div>\n\n\n<\/div>\n\n\n\n

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Utst\u00e4llning<\/p>\n\n\n

ARTISTS’ FILM INTERNATIONAL, PART V<\/h2>\n<\/div>\n\n\n\n
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