{"id":14527,"date":"2019-09-30T13:16:25","date_gmt":"2019-09-30T12:16:25","guid":{"rendered":"https:\/\/bonnierskonsthall.se\/?post_type=bonnier_exhibition&p=14527"},"modified":"2026-03-07T17:09:08","modified_gmt":"2026-03-07T16:09:08","slug":"artists-film-international-part-iv","status":"publish","type":"bonnier_exhibition","link":"https:\/\/bonnierskonsthall.se\/en\/utstallning\/artists-film-international-2019-part-i\/artists-film-international-part-iv\/","title":{"rendered":"Artists’ Film International, part IV"},"content":{"rendered":"\n
\n
\n
<\/span>\"\"
\n

Artists’ Film International, part IV<\/h2>\n\n\n

9 oct \u2192 10 nov 2019<\/p>\n\n<\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n

\n
\n \n\n\n\n
\n\n

Tomasz Machcinski, My Songs 2011\u20132016<\/h3>\n

Selected by: Museum of Modern Art in Warsaw, Polen<\/p>\n

Since the 1960s, Tomasz Machci\u0144ski has taken over 22,000 self-portrait pictures of himself, in which he embodies appropriated or fictional identities. Machci\u0144ski employs a digital camera to experiment with moving imagery, documenting his performances. The medium in Machci\u0144ski\u2019s art is his own disabled, non-normative body. By alternatingly exposing and hiding his physical shortcomings, the artist controls his audience\u2019s gaze.<\/p>\n

Mwangi Hutter (Ingrid Mwangi & Robert Hutter), Eastleigh Crossing, 2009<\/h3>\n

Selected by: Neuer Berliner Kunstverein, Berlin, Tyskland<\/p>\n

Since 2005, Ingrid Mwangi and Robert Hutter have worked under the pseudonym Mwangi Hutter, coming together to create art that investigates cultural backgrounds and gender roles. In their film Eastleigh Crossing<\/em>, Ingrid Mwangi wades through a flooded street in Nairobi, in something which the duo refer to as a Guerrilla Action. She behaves irrationally, breaking from social etiquette and irritating passers-by.<\/p>\n

Fannie Sosa, I Need This In My Life, 2016<\/h3>\n

Selected by: Fundaci\u00f3n PROA, Buenos Aires, Argentina<\/p>\n

Fannie Sosa is an artist, activist and academic. Her work is built around trans-ness, decolonial sexualities and pleasure as a form of resistance. She got the title for her work I Need This In My Life<\/em> from a note her roommate wrote after borrowing \u2018the womanizer\u2019, a vibrator shaped differently from the traditional phallic dildo.<\/p>\n\n\n<\/div>\n\n\n<\/div>\n\n\n\n

\n
\n
\n
\n

Utst\u00e4llning<\/p>\n\n\n\n