{"id":1270,"date":"2012-07-06T13:34:25","date_gmt":"2012-07-06T13:34:25","guid":{"rendered":"https:\/\/bonnierskonsthall.se\/spiranda-vita-natter\/"},"modified":"2026-09-14T14:09:51","modified_gmt":"2026-09-14T12:09:51","slug":"spiranda-vita-natter","status":"publish","type":"bonnier_exhibition","link":"https:\/\/bonnierskonsthall.se\/en\/utstallning\/spiranda-vita-natter\/","title":{"rendered":"Sprout from White Nights"},"content":{"rendered":"\n
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Sprout from White Nights<\/h2>\n\n\n

17 sep \u2192 21 dec 2008<\/p>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Participating artists:<\/strong> Cao Fei, Chu Yun, Xu Zen, Yang Zhenzhong, Huang Kui, Hu Xiaoyuan, Kan Xuan, Lee Kit, Liu Wei, Xu Tan, Yan Jun, Yang Fudong, Zheng Guogu, Chen Zaiyan, Sun Qinglin, Zhang Da, Zheng Guogu. Curator:<\/strong> Zhang Wei<\/p>\n\n\n\n

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The exhibition presents 17 young Chinese artists at the interface of thousand-year-old traditions and new technology. In order to open up a dialogue and an exchange, Bonniers Konsthall has invited Chinese curator Zhang Wei to present her perspective on contemporary Chinese art. In collaboration with Bonniers Konsthall, she has produced an exhibition that provides us with an insight into today’s China, not only through the works by the participating artists, but also through workshops, lectures, conversations, film screenings, design and a publication.<\/p>\n\n\n\n

From the beginning of the 1990s, China’s dynamically expanding art scene has continued to attract large audiences and received much international acclaim. In addition, art has become a symbol of the emerging new China. The exhibition at Bonniers Konsthall reflects a China in transition, spanning depictions of the old, traditional society and the new culture emerging alongside technological developments and economic growth.<\/p>\n\n\n\n

\u2026this process of change and travel is beautifully expressed in (Zhang Wei\u2019s) exhibition title: Sprout from White Nights, which, among other things, refers to the white nights of the North and to the way the works of a group of Chinese artists are translated into this context.<\/em><\/p>\n\n\n\n

Sara Arrhenius, Director of Bonniers Konsthall<\/p>\n\n\n\n

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Yangjiang Group, Pine Tree Garden<\/em>, 2008. Photo: Bonniers Konsthall<\/figcaption><\/figure>\n\n\n\n
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The artists participating in Sprout from White Nights<\/em> were born in the 1970s and live and work mainly in the large industrial and economically expanding cities on China’s east coast: Shanghai, Beijing and Guangzhou. Many of them are well-known on the international art scene and have exhibited at, among other places, biennials in Venice, Istanbul and Lyon.<\/p>\n\n\n\n

Zhang Wei is a curator working in Ghuangzhou and Beijing. She is the artistic co-director (with Hu Fang) of the much-acclaimed Vitamin Creative Space in Guangzhou in south-east China.<\/p>\n\n\n\n

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Workshop with Xu Tan<\/p>\n\n\n\n

The Keywords School <\/em>workshop takes place in Xu Tan\u2019s exhibition installation, and functions as a conversation between the artists and participants. The workshop is built upon Xu Tan\u2019s project Searching for Keywords, <\/em>where he interviewed around 60 people in order to better understand conceptions of contemporary China. Out of this material he garnished a few key words \u2013 for example, fashion, corruption, success and superstition \u2013 which will be used in the workshop to discuss China from various angles.<\/p>\n\n\n\n

In collaboration with Iaspis och S\u00f6dert\u00f6rn University.<\/p>\n\n\n\n

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Kan Xuan, Protected by colors<\/em>, 2003. Photo: Bonniers Konsthall<\/figcaption><\/figure>\n\n\n\n
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The book Sprouts from White Nights<\/em><\/a> was produced for the exhibition<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Utst\u00e4llning<\/p>\n\n\n

Sprout from White Nights<\/h2><\/div>\n\n\n\n
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